Clipping mask, Dark brush, Pen tool,and feather
The following projects show how we can apply different textures and patterns
to images by using masks and the dark pen tool. I also learned how to eliminate
the background by drawing around the subject with the pen tool. I feathered the
edges of the final image to give a more natural appearance.
This demonstrates how I might select only a the portion of the image that I'm
interested in, eliminating the rest and not limiting myself to any given shape or
texture.
All of these images were made in photo shop using a layer mask, the Rhino and Tiger man were made using the hard light setting, but the Woman was created using the difference setting and I decided that it would look better without discarding the background
Textures and Lighting effects
Applying texture to text.
This will be useful when thinking about how a font may not be limited to a flat
colour, demonstrating how a texture can describe the word and it's meaning.
Using clipping masks I learned how to eliminate the surrounding texture revealing
only the text.
Steel
Noise and Gaussian blur, motion blur, clipping mask, Select text, fill background black, adjust layer styles for bevel etc.
Fire
Render clouds, difference clouds, Gradients black-red-orange-yellow. Type "fire", create clipping mask, adjust layer styles
Water
render clouds, add noise, filter-gallery-chrome. Distort to twirl slightly, adjust colour balance. Type "H2o", clipping mask.
Rock
Render Clouds, add noise. Create new channel, render clouds. Lighting effects, adjust the height in new channel.
Famous quotes using some of the above effects
After looking at some of Neville Brody and David Carson's work I came up with a few designs of my own.
After looking at some of Neville Brody and David Carson's work I came up with a few designs of my own.
The circles have a cloud filter interrupted by square negative spaces, the background is a subtle cloud texture. I've played with the scale in the text and quotation marks. I've used two different fonts
close blend of colours, reflection and a subtle texture heighted in lighting effects for the type.
This image is my interpretation of Neville Brody's (see research fig 1), Filter-large tiles, different orientation in text, playing with scale and transform.
See research (fig 2) I kept the monotone similar to Brody, the background is from a wood textured photo, overlaid with an ink splatted scan. I played with the text in Illustrator by adjusting the anchor points, then mirrored the text. The photo was inverted and the lightness and contrast was adjusted. I changed the "W" in own to red so as to draw attention to that area and making it stand out.
Masks for typographic portraiture
more masking techniques, which if used for future designs could make a
printable T-shirt design or stencil. Separating mid-tones and highlights identifies
a way of making a simple three colour design ie: background colour, white and black.
Technique
Select a screen shot with good contrast between dark and light tones, open in photo-shop.
Select, colour range, choose shadows in a new layer, then mid-tones in a new layer. Add a new layer filled with white. Make a brush with the appropriate text. Paint the portrait using the new brush.
Screen shot, colour range, select shadows. repeat and select mid-tones. Add layer fill with white. Text layer-define brush. delete text layer. The lips in Madonna are also defined as a brush
Crafting a stencil design
The following project uses photo-shop to bring in an image and by adjusting the
contrasts and filtering to a cut out, I've defined three separate tones. This can
be useful when designing a screen print or stencil as it gives me another technique
to utilise.
Photoshop, impose kkk hat onto bulldog, gray scale, filter gallery-cut out. Adjust brightness and contrast. Make a print.
Trace the image and cut a stencil keeping the gray and black . .
as separate stencils
final image
Although the image came out quite well, because the stencil colour separation was not
done in one piece it was not as neat as I would have liked. In the future I will make sure
that the colour separations are cut out of one piece
Although the image came out quite well, because the stencil colour separation was not
done in one piece it was not as neat as I would have liked. In the future I will make sure
that the colour separations are cut out of one piece
Texture rubbings
The following images are pencil rubbings from various surfaces, they can possibly be
incorporated into screen printing ideas.
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